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Perfume. The story of a murderer - Suskind Patrick - Страница 48


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It was not especially difficult for him to stay awake and wait, despite his weariness. He loved this waiting. He had also loved it with the twenty-four other girls, for it was aot a dull waiting-till-it’s-over, not even a yearning, expectant waiting, but an attendant, purposeful, in a certain sense active, waiting. Something was happening while you waited. The most essential thing was happening. And even if he himself was doing nothing, it was happening through him nevertheless. He had done his best. He had employed all his artistic skill. He had made not one single mistake. His performance had been unique. It would be crowned with success… He need only wait a few more hours. It filled him with profound satisfaction, this waiting. He had never felt so fine in all his life, so peaceful, so steady, so whole and at one with himself-not even back inside his mountain-as during these hours when a craftsman took his rest sitting in the dark of night beside his victim, waiting and watching. They were the only moments when something like cheerful thoughts formed inside his gloomy brain.

Strangely enough, these thoughts did not look toward the future. He did not think of the scent that he would glean in a few hours, nor of the perfume made of the auras of twenty-five maidens, nor of future plans, happiness, and success. No, he thought of his past. He remembered the stations of his life, from Madame Gaillard’s house and the moist, warm woodpile in front of it to his journey today to the little village of La Napoule, which smelled like fish. He thought of Grimal the tanner, of Giuseppe Baldini, of the marquis de La Taillade-Espinasse. He thought of the city of Paris, of its great effluvium, that evil smell of a thousand iridescences; he thought of the redheaded girl in the rue des Marais, of open country, of the spare wind, of forests. He thought, too, of the mountain in the Auvergne-he did not avoid such memories in the least-of his cave, of the air void of human beings. He thought of his dreams. And he thought of all these things with great satisfaction. Yes, it seemed to him as he looked back over it that he was a man to whom fortune had been especially kind, and that fate had led him down some tortuous paths, but that ultimately they had proved to be the right ones-how else would it have been possible for him to have found his way here, into this dark chamber, at the goal of his desires? He was, now that he really considered it, a truly blessed individual!

Feelings of humility and gratitude welled up within him. “I thank you,” he said softly, “I thank you, Jean-Baptiste Grenouille, for being what you are!” So touched was he by himself.

Then his eyelids closed-not for sleep, but so that he could surrender himself completely to the peace of this holy night. The peace filled his heart. But it seemed also as if it reigned all about him. He smelled the peaceful sleep of the maid in the adjoining room, the deep contentment of Antoine Richis’s sleep on the other side of the corridor; he smelled the peaceful slumber of the innkeeper and his servants, of the dogs, of the animals in their stalls, of the whole village, and of the sea. The wind had died away. Everything was still. Nothing disturbed the peace.

Once he turned his foot to one side and ever so softly touched Laure’s foot. Not actually her foot, but simply the cloth that enveloped it and beneath that the thin layer of oil drinking up her scent, her glorious scent, his scent.

Forty-six

AS THE BIRDS began to squawk-that is, a good while before the break of dawn-he got up and finished his task. He threw open the cloth and pulled it from the dead woman like a bandage. The fat peeled off nicely from her skin. Little scraps of it were left hanging only in the smallest crannies, and these he had to scrape off with his spatula. The remaining streaks of pomade he wiped off with her undershirt, using it to rub down her body from head to foot one last time, so thoroughly that even the oil in her own pores pearled from her skin, and with it the last flake and filament of her scent. Only now was she really dead for him, withered away, pale and limp as a fallen petal.

He tossed the undershirt into the large scent-impregnated cloth-the only place where she had life now-placed her nightgown and her hair in it as well, and rolled it all up into a small, firm package that he clamped under his arm. He did not even take the trouble to cover the body on the bed. And although the black of night had already become the blue gray of dawn and objects in the room had begun to regain their contours, he did not cast a single glance at the bed to rest his eyes on her at least once in his life. Her form did not interest him. She no longer existed for him as a body, but only as a disembodied scent. And he was carrying that under his arm, taking it with him.

Softly he swung out over the windowsill and climbed down the ladder. The wind had come up again outside, and the sky was clearing, pouring a cold, dark blue light over the land.

A half hour later, the scullery maid started the fire in the kitchen. As she came out of the house to fetch wood she saw the ladder leaning there, but was still too sleepy to make any rhyme or reason of it. Shortly after six the sun rose. Gigantic and golden red, it lifted up out of the sea between the lies de Lerins. Not a cloud was in the sky. A radiant spring day had begun.

With his room facing west, Richis did not awaken until seven. He had slept truly splendidly for the first time in months, and contrary to his custom lay there yet another quarter of an hour, stretching and sighing with enjoyment as he listened to the pleasant hubbub rising up from the kitchen below. When he finally did get up and open the window wide, taking in the beautiful weather outside and breathing in the fresh morning air and listening to the sound of the surf, his good mood knew no bounds, and he puckered his lips and whistled a bright melody.

While he dressed, he went on whistling, and was whistling still as he left his room and on winged feet approached the door to his daughter’s room across the hall. He rapped. And rapped again, very softly, so as not to frighten her. There was no answer. He smiled. He could well understand that she was still sleeping.

Carefully he inserted the key in the lock and turned the bolt, softly, very softly, considerately, not wanting to wake her, eager almost to find her still sleeping, wanting to kiss her awake once again-one iast time, before he must give her to another man.

The door sprang open, he entered, and the sunlight fell full into his eyes. Everything in the room sparkled, as if it were filled with glittering silver, and for a moment he had to shut his eyes against the pain of it.

When he opened them again, he saw Laure lying on her bed, naked and dead and shorn clean and sparkling white. It was like his nightmare, the one he had dreamt in Grasse the night before last and had forgotten again. Every detail came back to him now as if in a blazing flash. In that instant everything was exactly as it had been in the dream, only very much brighter.

Forty-seven

THE NEWS OF Laure Richis’s murder spread through the region of Grasse as fast as if the message had been “The king is dead!” or “War’s been declared!” or “Pirates have landed on the coast!”-and the awful sense of terror it triggered was similar as well. All at once the fear that they had so carefully forgotten was back again, as virulent as it had been last autumn and with all the accompanying phenomena: panic, outrage, anger, hysterical suspicions, desperation. People stayed in their houses at night, locked up their daughters, barricaded themselves in, mistrusted one another, and slept no more. Everyone assumed it would continue this time as it had before, a murder a week. The calendar seemed to have been set back six months.

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Suskind Patrick - Perfume. The story of a murderer Perfume. The story of a murderer
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