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Plain Tales from the Hills - Kipling Rudyard - Страница 23


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Presently, the groans below ceased, and we heard steps on the staircase. That was the seal-cutter. He stopped outside the door as the terrier barked and Azizun fumbled at the chain, and he told Suddhoo to blow out the lamp. This left the place in jet darkness, except for the red glow from the two huqas that belonged to Janoo and Azizun. The seal-cutter came in, and I heard Suddhoo throw himself down on the floor and groan. Azizun caught her breath, and Janoo backed to one of the beds with a shudder. There was a clink of something metallic, and then shot up a pale blue-green flame near the ground. The light was just enough to show Azizun, pressed against one corner of the room with the terrier between her knees; Janoo, with her hands clasped, leaning forward as she sat on the bed; Suddhoo, face down, quivering, and the seal-cutter.

I hope I may never see another man like that seal-cutter. He was stripped to the waist, with a wreath of white jasmine as thick as my wrist round his forehead, a salmon-colored loin-cloth round his middle, and a steel bangle on each ankle. This was not awe-inspiring. It was the face of the man that turned me cold. It was blue-gray in the first place. In the second, the eyes were rolled back till you could only see the whites of them; and, in the third, the face was the face of a demon — a ghoul — anything you please except of the sleek, oily old ruffian who sat in the day-time over his turning-lathe downstairs. He was lying on his stomach, with his arms turned and crossed behind him, as if he had been thrown down pinioned. His head and neck were the only parts of him off the floor. They were nearly at right angles to the body, like the head of a cobra at spring. It was ghastly. In the centre of the room, on the bare earth floor, stood a big, deep, brass basin, with a pale blue-green light floating in the centre like a night-light. Round that basin the man on the floor wriggled himself three times. How he did it I do not know. I could see the muscles ripple along his spine and fall smooth again; but I could not see any other motion. The head seemed the only thing alive about him, except that slow curl and uncurl of the laboring back-muscles. Janoo from the bed was breathing seventy to the minute; Azizun held her hands before her eyes; and old Suddhoo, fingering at the dirt that had got into his white beard, was crying to himself. The horror of it was that the creeping, crawly thing made no sound — only crawled! And, remember, this lasted for ten minutes, while the terrier whined, and Azizun shuddered, and Janoo gasped, and Suddhoo cried.

I felt the hair lift at the back of my head, and my heart thump like a thermantidote paddle. Luckily, the seal-cutter betrayed himself by his most impressive trick and made me calm again. After he had finished that unspeakable triple crawl, he stretched his head away from the floor as high as he could, and sent out a jet of fire from his nostrils. Now, I knew how fire-spouting is done — I can do it myself — so I felt at ease. The business was a fraud. If he had only kept to that crawl without trying to raise the effect, goodness knows what I might not have thought. Both the girls shrieked at the jet of fire and the head dropped, chin down, on the floor with a thud; the whole body lying then like a corpse with its arms trussed. There was a pause of five full minutes after this, and the blue-green flame died down. Janoo stooped to settle one of her anklets, while Azizun turned her face to the wall and took the terrier in her arms. Suddhoo put out an arm mechanically to Janoo’s huqa, and she slid it across the floor with her foot. Directly above the body and on the wall, were a couple of flaming portraits, in stamped paper frames, of the Queen and the Prince of Wales. They looked down on the performance, and, to my thinking, seemed to heighten the grotesqueness of it all.

Just when the silence was getting unendurable, the body turned over and rolled away from the basin to the side of the room, where it lay stomach up. There was a faint «plop» from the basin — exactly like the noise a fish makes when it takes a fly — and the green light in the centre revived.

I looked at the basin, and saw, bobbing in the water, the dried, shrivelled, black head of a native baby — open eyes, open mouth and shaved scalp. It was worse, being so very sudden, than the crawling exhibition. We had no time to say anything before it began to speak.

Read Poe’s account of the voice that came from the mesmerized dying man, and you will realize less than one-half of the horror of that head’s voice.

There was an interval of a second or two between each word, and a sort of «ring, ring, ring,» in the note of the voice, like the timbre of a bell. It pealed slowly, as if talking to itself, for several minutes before I got rid of my cold sweat. Then the blessed solution struck me. I looked at the body lying near the doorway, and saw, just where the hollow of the throat joins on the shoulders, a muscle that had nothing to do with any man’s regular breathing, twitching away steadily. The whole thing was a careful reproduction of the Egyptian teraphin that one read about sometimes and the voice was as clever and as appalling a piece of ventriloquism as one could wish to hear. All this time the head was «lip-lip-lapping» against the side of the basin, and speaking. It told Suddhoo, on his face again whining, of his son’s illness and of the state of the illness up to the evening of that very night. I always shall respect the seal-cutter for keeping so faithfully to the time of the Peshawar telegrams. It went on to say that skilled doctors were night and day watching over the man’s life; and that he would eventually recover if the fee to the potent sorcerer, whose servant was the head in the basin, were doubled.

Here the mistake from the artistic point of view came in. To ask for twice your stipulated fee in a voice that Lazarus might have used when he rose from the dead, is absurd. Janoo, who is really a woman of masculine intellect, saw this as quickly as I did. I heard her say «Asli nahin! Fareib!» scornfully under her breath; and just as she said so, the light in the basin died out, the head stopped talking, and we heard the room door creak on its hinges. Then Janoo struck a match, lit the lamp, and we saw that head, basin, and seal-cutter were gone. Suddhoo was wringing his hands and explaining to any one who cared to listen, that, if his chances of eternal salvation depended on it, he could not raise another two hundred rupees. Azizun was nearly in hysterics in the corner; while Janoo sat down composedly on one of the beds to discuss the probabilities of the whole thing being a bunao, or «make-up.» I explained as much as I knew of the seal-cutter’s way of jadoo; but her argument was much more simple — «The magic that is always demanding gifts is no true magic,» said she. «My mother told me that the only potent love-spells are those which are told you for love. This seal-cutter man is a liar and a devil. I dare not tell, do anything, or get anything done, because I am in debt to Bhagwan Dass the bunnia for two gold rings and a heavy anklet. I must get my food from his shop. The seal-cutter is the friend of Bhagwan Dass, and he would poison my food. A fool’s jadoo has been going on for ten days, and has cost Suddhoo many rupees each night. The seal-cutter used black hens and lemons and mantras before. He never showed us anything like this till to-night. Azizun is a fool, and will be a pur dahnashin soon. Suddhoo has lost his strength and his wits. See now! I had hoped to get from Suddhoo many rupees while he lived, and many more after his death; and behold, he is spending everything on that offspring of a devil and a she-ass, the seal-cutter!»

Here I said — «But what induced Suddhoo to drag me into the business? Of course I can speak to the seal-cutter, and he shall refund. The whole thing is child’s talk — shame — and senseless.»

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Kipling Rudyard - Plain Tales from the Hills Plain Tales from the Hills
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