Mud Vein - Fisher Tarryn - Страница 2

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The wood catches. I pull the thick comforter off the bed and wrap myself in it, crouching in front of the meager flames. It is not enough. I am so cold I want to dive into the fire and let it burn this cold off of me. I stay like that, a lump on the floor, until I stop shaking.

Then I move.

There is a trapdoor under the rug with a heavy, metal handle. It is locked. I yank on it for five minutes with my good hand until my shoulder burns and I want heave up my guts again. I stare at it for a moment before I run to get the key from the silver box. What kind of sick game is this? And why do I take so long to realize the thing about the key? I don’t know what to do. I pace around the trapdoor in my bare feet, smacking the key against my thigh. It is an abnormally large key, old fashioned and bronze. The keyhole in the trapdoor looks large enough to fit it. I get another chill and this time I know it’s not just the cold. I stop my pacing to examine the key more closely. It takes up my entire hand, fingertips to wrist. There is a question mark in the center of the handle, the metal curling around the character in an ornate design. I drop the key. It clanks heavily against the floor not far from where I threw up. I back up until my shoulder blades are pressed against the wall.

“What. Is. This?” There is no one to answer, of course, unless they’re waiting just below that trap door to tell me exactly what this is. I shiver and my fingers automatically close around the knife in my pocket. The blade is sharp. I feel really good about that. I have a penchant for sharp knives and I sure as hell know how to carve skin. If I have a key, they have a key. I can wait here for them to come up, or I can go down. I prefer the second option; it feels like it affords me a little more power.

I walk quickly, sidestepping the vomit and snatch up the key. Before I can think about what I am doing, I crouch over the trapdoor and plunge it into the keyhole.

Metal against metal and then … click.

I use my good hand to heave it open. It’s damn heavy. I’m careful not to make noise when I set it down. I peer into the darkness. There is a ladder. At the bottom of the ladder are a round rug and a hallway. I cannot see past a few feet. I am going to have to go down. I place the knife between my teeth and count the rungs as I climb.

One … two … three … four … five … six. My feet hit the rug. The floor is cold. The cold shoots up my legs. Why hadn’t I thought to look for shoes?

I hold my knife at arm’s length, ready to stab anyone who jumps out at me. I’ll go for the eye socket, and if I can’t reach that—the balls. Just one sharp jab, and when they’re bent over, I’ll run. Now that there is a plan, I take a look around. There is a skylight above me, laser-thin rays of sunlight pierce through it and hit the wood floor. I step through them, my eyes darting around for a hidden attacker.

I am at the end of a corridor: wood floors, wood walls, wood ceiling. There are three doors: two on the left side, one on the right. All of them are closed. There is a wall directly behind me, as well as the ladder I just climbed down. Beyond the hallway I can see a landing. I decide that’s where I’ll go first. If someone jumps out of one of those doors, I’ll be past them and on my way to the front door. Something is whispering in the back of my brain that it won’t be that easy. I walk on my tiptoes past the doors and stop on the landing. The knife is clutched in my hand, though it seems small compared to the situation.

I am obviously in a cabin. I can make out a large, open kitchen down the stairs and to the left. To the right is a living room with thick, cream-colored carpet. Everything is eerily quiet. I creep down the stairs, my back to the wall. If I can make it to the front door, I can run. Get help. My mind goes to the endless snow I saw out the window in the round room. I push the thought away. There will be someone … a house … or a store, maybe. God, why had I not thought to take shoes? I am all action and no brains. I am going to have to run through three feet of snow with nothing on my feet. The front door is directly at the bottom of the staircase. I glance up to the top floor to make sure no one is following me, and then dive for it. It is locked. A keypad sits next to the door. It opens electronically. I am going to have to find another way out. I am shaking again. If someone attacked me now, I wouldn’t be able to hold the knife steady enough to defend myself. I could break a window. The kitchen is in front of me and to my left. I try that first. It is rectangular. Shiny, stainless steel appliances. They look brand new.

God, where am I? A window runs the length of the kitchen, its continuity broken only by the fridge. In the corner there is a heavy circular table with two curved benches on either side. I walk to the drawers and pull them open until I find the one with the knives. I pluck out the largest one, testing its weight in my hand before leaving my baby knife on the counter. I think twice and slip it in my pocket instead.

Now that I have a weapon, a real weapon, I head for the living room. Books line one wall; on the other is the fireplace. A sofa and a loveseat are arranged around the coffee table. There is no way out. I look for something to break a window with. The coffee table is too heavy for me to lift—especially with a sprained wrist. When I look more closely I see that it is bolted to the floor. There are no chairs. I go back to the kitchen, open every cabinet and drawer, my desperation increasing with every second I risk being discovered. There is nothing large enough or heavy enough to break a window. With a sinking feeling, I realize I’m going to have to go back upstairs. This could be a trap. There could be someone hiding behind one of the doors. But, why give me a key to the room I was locked in if they wanted me trapped? Were they playing games? My whole body is shaking as I climb back up the stairs. I haven’t cried in years, but I feel as close to tears as I’ve ever come. One foot in front of the other, Senna, and if someone jumps out at you, you use your knife and cut them in half. I am between the doors. I choose the one to my left, put my hand on the knob and turn. I can hear myself breathing: ragged, cold, terrified breaths.

It opens.

“Oh my God.”

I slap my hand over my mouth and clutch my weapon tighter. I don’t lower my knife, I keep it up and ready. I step onto the carpet, my toes curling around the shag like they need to hold onto something. A canopy bed sits against the far wall, facing me. It looks like a child’s bed in design but it is larger than an adult king. Two of its posters are life-sized carousel horses, their poles disappearing into the wooden beams of the ceiling. There is a fireplace to my left, a window seat to my right. I am having trouble breathing. First the lighters, then the key, then … this.

I can’t get out of there fast enough. I close the door behind me. One more door. This one feels more frightening than the last. Is it just my intuition or is this the last place my kidnapper could be hiding? I stand facing it for the longest time, my breath curling into the air, and the frozen fingers of my good hand clutching my little knife. I reach for the knob with my injured hand and flinch when pain shoots up my arm. I push it open and wait. The room is dark, but so far no one has jumped out at me. I take a step forward, feel for a light switch. Then I hear it; a man’s moan—deep and guttural. I back out of the room, pointing my knife at the sound. I want to run, climb back up the ladder and lock myself in the round room. I don’t. If I do not go looking for what brought me here, it will come looking for me. I will not be a victim. Not again. My heart is beating erratically. The moaning suddenly stops as if he’s realized I’m there. I can hear him breathing. I wonder if he can hear me. The noise starts again, muffled words this time as if he’s speaking through something. Words … words that sound like HELP ME! This could be a trap. What do I do? I walk right into it.

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