Last Stand at Saber River - Leonard Elmore John - Страница 34

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Cable fired. Too soon! He saw Wynn swing the Colt on him as he levered the Spencer, brought it almost to his shoulder and fired again. Wynn was turned, thrown off balance by the impact of the bullet and his Colt was pointing at the willows when it went off. Still, he held it, trying to bring it in line again; but now Cable was running toward him, levering the trigger guard, half raising the carbine and firing again. Wynn’s free hand went to his side and he stumbled, almost going down. From ten feet, with Wynn’s Colt swinging on him and seeming almost in his face, Cable shot him again, being sure of this one, knowing Wynn would go down; and now levering, turning, snapping a shot at Austin Dodd and missing as the man came to one knee with the Sharps almost to his shoulder.

Austin and Vern had held their fire because of Wynn, but now both of them opened up. Cable’s snap shot threw Austin off and he fired quickly, too wide. From the ramada, Kidston fired twice. Before he could squeeze the trigger again Cable was past the corner of the adobe, beyond their view, and within ten strides safely through the open doorway of the barn.

He brought the sorrel out of its stall, thonging the Spencer to the saddle horn, then mounted and drew the Walker.

Now time it, Cable thought.

He knew what Kidston and Austin would do, which was the obvious thing, the first thought to occur to them; and they would respond to it because they would have to act fast to keep up with him or ahead of him and not let him slip away.

Only one man could watch the barn from the corner of the house. The second man would have to expose himself, or else drop back to the willows, to the protection of the cutbank and move along it until he was opposite the barn, directly out from it and little more than a hundred feet away. If that happened he would be pinned down in the barn until he was picked off, burned out or eventually drawn out by a need as starkly simple as a cup of water. If he waited, time would be on their side to be used against him.

So he would move out and he would do it now while they were still realizing what had to be done, while they were still scrambling to seal off his escape. He knew this almost instinctively after two and a half years with Bedford Forrest. You weren’t fooled by false security. You didn’t wait, giving the other man time to think. You carried the fight, on your own terms and on your own ground.

Now it was a matter of timing. Move fast, but move at the right time.

The sorrel was lined up with the doorway now, though still well back in the barn. From here Cable could see the corner of the adobe. As he watched he saw a man’s shoulder, then part of his head and the dull glint of a Colt barrel in the sunlight. Almost at the same time he heard the horse somewhere off beyond the adobe-the other man running for the cutbank.

Cable’s eyes clung to the corner of the house.

Now move him back, he thought, raising the Walker and putting the front sight on the edge of the house. He fired once. The man-Cable was sure it was Kidston-drew back out of sight. At that moment Cable moved, abruptly spurring the sorrel. He was suddenly in the sunlight and reining hard to the right, the Walker still covering the corner; and as Kidston appeared, coming suddenly into the open, Cable fired. He had to twist his body then, his arm extended straight back over the sorrel’s rump. He fired again, almost at the same time as Kidston did, but both of their shots were hurried. Then he was reining again, swerving the sorrel to the left, passing behind the adobe just as Kidston fired his second shot.

Even as he entered the horse trail up into the pines, Cable saw the way to throw the fight back at them, to swing on them again while they were off guard in the true hell-raising, hit-and-run style of Forrest; and he left the trail, coming back down through the trees. Then he was in the open again behind the adobe, but now cutting to the right and circling the side of the adobe away from the barn. A moment later he broke past the front of the house.

Twenty feet away Kidston was mounting, looking directly at Cable over the pommel of his saddle. He saw Vern trying to bring up his Colt. He saw Vern’s face clearly beyond the barrel of his own revolver; he was pulling the trigger when Vern’s horse threw its head into the line of fire. Cable reined the sorrel hard to the right then, seeing Vern’s horse stumble and go down with Vern falling and rolling clear.

He caught a glimpse of Austin Dodd already mounted and coming up over the cutbank, but that was all. There was one shot left in the Walker and now Cable was spurring, running the sorrel through the light- and dark-streaked aspen stand, then cutting to the left, reaching the willows, brushing through them and feeling the thick, heavy branches behind him, covering him as he splashed across the river and climbed out onto the meadow.

Get distance on Austin, that was the thing to do now. Get time to reload, and at the same time look like you’re running. Now he would lead Austin, let Austin think he was chasing him, and perhaps he would become careless.

Austin fired the Sharps as he came out of the willows to the edge of the river, but he hurried the shot and now Cable was almost two hundred yards ahead of him, holding the sorrel to a steady run.

Cable was calm now. Even though he was sure only in a general way what he would do. Somehow, he would stop Austin Dodd just as he had stopped Vern.

But was Vern stopped? For how long? He could be coming too. He would find Wynn’s horse, which might or might not take time; but he would come.

So it wasn’t over, or even halfway over. It was just starting. He would have to be careful and keep his eyes open and stop Austin-Austin first. Now it was a matter of leading him on until he found the place he wanted to fight him. He was applying what he had learned well with Bedford Forrest. How to kill and keep from being killed. Though not killing with an urge to kill, not killing Austin Dodd because he was Austin Dodd. Though you could probably even justify that, Cable thought.

He would start up the far side of the meadow and be in the trees while Austin was still in the open. Then Austin would slow up and that would give him time to reload. That would be the way to do it, he thought, lifting his gaze to the pinon trees and the open slope that rose above them.

Yet it was in the same momentary space of time, with the heavy, solid report, with the unmistakable smacking sound of the bullet, that Cable’s plan dissolved. The sorrel went down, shot through a hind leg, and Cable was suddenly on the ground. He rolled over, looking back in time to see Austin Dodd mounting again.

The man had reloaded on the run, got down for one last-chance long-shot with the Sharps at two hundred stretching to three hundred yards. And you weren’t watching!

Cable started for the sorrel-on the ground with its hind legs kicking in spasms. The Spencer was still thonged to the saddle. The cartridge tubes and loads for the Walker were in the saddle bags. But he knew at once that it was too late to get them. If he delayed, he’d be pinned down behind the sorrel. In Cable’s mind it was not a matter of choice. Not with a slope of thick pinon less than forty yards away.

He ran for it, crouched, sprinting, not looking back but hearing the hoofbeats gaining on him; then the high, whining report of a Colt.

Before Austin could fire again, Cable was through the fringe of yellow-blossomed mesquite and into the pinons. From here he watched Austin rein in at the sorrel and dismount. Cable was moving at once, higher up on the slope, a dozen yards or more, before he looked back at Austin again.

The gunman was squatting by the sorrel going through the one accessible saddle bag. But now he rose, holding the Spencer downpointed in one hand, stepped back and shot the sorrel through the head. He threw the carbine aside, looking up at the pinon slope.

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