Выбери любимый жанр

Outlander aka Cross Stitch - Gabaldon Diana - Страница 8


Изменить размер шрифта:

8

“I’ve brought ye a wee bit of refreshment, gentlemen,” she announced, setting the tea tray firmly in the center of the desk, from which the vicar rescued his precious dispatches in the nick of time. She looked me over with a shrewd eye, assessing the twitching limbs and faint glaze over the eyeballs.

“I’ve brought but the two cups, for I thought perhaps Mrs. Randall would care to join me in the kitchen. I’ve a bit of-” I didn’t wait for the conclusion of her invitation, but leapt to my feet with alacrity. I could hear the theories breaking out again behind me as we pushed through the swinging door that led to the manse’s kitchen.

The tea was green, hot and fragrant, with bits of leaf swirling through the liquid.

“Mmm,” I said, setting the cup down. “It’s been a long time since I tasted Oolong.”

Mrs. Graham nodded, beaming at my pleasure in her refreshments. She had clearly gone to some trouble, laying out handmade lace mats beneath the eggshell cups and providing thick clotted cream with the scones.

“Aye, I couldna get it during the War, ye know. It’s the best for the readings, though. Had a terrible time with that Earl Grey. The leaves fall apart so fast, it’s hard to tell anything at all.”

“Oh, you read tea leaves?” I asked, mildly amused. Nothing could be farther from the popular conception of the gypsy fortune-teller than Mrs. Graham, with her short, iron-grey perm and triple-stranded pearl choker. A swallow of tea ran visibly down the long, stringy neck and disappeared beneath the gleaming beads.

“Why, certainly I do, my dear. Just as my grandmother taught me, and her grandmother before her. Drink up your cup, and I’ll see what you have there.”

She was silent for a long time, once in a while tilting the cup to catch the light, or rolling it slowly between lean palms to get a different angle.

She set the cup down carefully, as though afraid it might blow up in her face. The grooves on either side of her mouth had deepened, and her brows pressed together in what looked like puzzlement.

“Well,” she said finally. “That’s one of the stranger ones I’ve seen.”

“Oh?” I was still amused, but beginning to be curious. “Am I going to meet a tall dark stranger, or journey across the sea?”

“Could be.” Mrs. Graham had caught my ironic tone, and echoed it, smiling slightly. “And could not. That’s what’s odd about your cup, my dear. Everything in it’s contradictory. There’s the curved leaf for a journey, but it’s crossed by the broken one that means staying put. And strangers there are, to be sure, several of them. And one of them’s your husband, if I read the leaves aright.”

My amusement dissipated somewhat. After six years apart, and six months together, my husband was still something of a stranger. Though I failed to see how a tea leaf could know it.

Mrs. Graham’s brow was still furrowed. “Let me see your hand, child,” she said.

The hand holding mine was bony, but surprisingly warm. A scent of lavender water emanated from the neat part of the grizzled head bent over my palm. She stared into my hand for quite a long time, now and then tracing one of the lines with a finger, as though following a map whose roads all petered out in sandy washes and deserted wastes.

“Well, what is it?” I asked, trying to maintain a light air. “Or is my fate too horrible to be revealed?”

Mrs. Graham raised quizzical eyes and looked thoughtfully at my face, but retained her hold on my hand. She shook her head, pursing her lips.

“Oh, no, my dear. It’s not your fate is in your hand. Only the seed of it.” The birdlike head cocked to one side, considering. “The lines in your hand change, ye know. At another point in your life, they may be quite different than they are now.”

“I didn’t know that. I thought you were born with them, and that was that.” I was repressing an urge to jerk my hand away. “What’s the point of palm reading, then?” I didn’t wish to sound rude, but I found this scrutiny a bit unsettling, especially following on the heels of that tea-leaf reading. Mrs. Graham smiled unexpectedly, and folded my fingers closed over my palm.

“Why, the lines of your palm show what ye are, dear. That’s why they change – or should. They don’t, in some people; those unlucky enough never to change in themselves, but there are few like that.” She gave my folded hand a squeeze and patted it. “I doubt that you’re one of those. Your hand shows quite a lot of change already, for one so young. That would likely be the War, of course,” she said, as though to herself.

I was curious again, and opened my palm voluntarily.

“What am I, then, according to my hand?”

Mrs. Graham frowned, but did not pick up my hand again.

“I canna just say. It’s odd, for most hands have a likeness to them. Mind, I’d no just say that it’s ‘see one, you’ve seen them all,’ but it’s often like that – there are patterns, you know.” She smiled suddenly, an oddly engaging grin, displaying very white and patently false teeth.

“That’s how a fortune-teller works, you know. I do it for the church fete every year – or did, before the War; suppose I’ll do it again now. But a girl comes into the tent – and there am I, done up in a turban with a peacock feather borrowed from Mr. Donaldson, and ‘robes of oriental splendor’ – that’s the vicar’s dressing gown, all over peacocks it is and yellow as the sun – anyway, I look her over while I pretend to be watching her hand, and I see she’s got her blouse cut down to her breakfast, cheap scent, and earrings down to her shoulders. I needn’t have a crystal ball to be tellin’ her she’ll have a child before the next year’s fete.” Mrs. Graham, paused, grey eyes alight with mischief. “Though if the hand you’re holding is bare, it’s tactful to predict first that she’ll marry soon.”

I laughed, and so did she. “So you don’t look at their hands at all, then?” I asked. “Except to check for rings?”

She looked surprised. “Oh, of course you do. It’s just that you know ahead of time what you’ll see. Generally.” She nodded at my open hand. “But that is not a pattern I’ve seen before. The large thumb, now” – she did lean forward then and touch it lightly – “that wouldn’t change much. Means you’re strong-minded, and have a will not easily crossed.” She twinkled at me. “Reckon your husband could have told ye that. Likewise about that one.” She pointed to the fleshy mound at the base of the thumb.

“What is it?”

“The Mount of Venus, it’s called.” She pursed her thin lips primly together, though the corners turned irrepressibly up. “In a man, ye’d say it means he likes the lasses. For a woman, ’tis a bit different. To be polite about it, I’ll make a bit of a prediction for you, and say your husband isna like to stray far from your bed.” She gave a surprisingly deep and bawdy chuckle, and I blushed slightly.

The elderly housekeeper pored over my hand again, stabbing a pointed forefinger here and there to mark her words.

“Now, there, a well-marked lifeline; you’re in good health, and likely to stay so. The lifeline’s interrupted, meaning your life’s changed markedly – well, that’s true of us all, is it not? But yours is more chopped-up, like, than I usually see; all bits and pieces. And your marriage-line, now” – she shook her head again – “it’s divided; that’s not unusual, means two marriages…”

My reaction was slight, and immediately suppressed, but she caught the flicker and looked up at once. I thought she probably was quite a shrewd fortune-teller, at that. The grey head shook reassuringly at me.

“No, no, lass. It doesna mean anything’s like to happen to your good man. It’s only that if it did,” she emphasized the “if” with a slight squeeze of my hand, “you’d not be one to pine away and waste the rest of your life in mourning. What it means is, you’re one of those can love again if your first love’s lost.”

8
Перейти на страницу:

Вы читаете книгу


Gabaldon Diana - Outlander aka Cross Stitch Outlander aka Cross Stitch
Мир литературы

Жанры

Фантастика и фэнтези

Детективы и триллеры

Проза

Любовные романы

Приключения

Детские

Поэзия и драматургия

Старинная литература

Научно-образовательная

Компьютеры и интернет

Справочная литература

Документальная литература

Религия и духовность

Юмор

Дом и семья

Деловая литература

Жанр не определен

Техника

Прочее

Драматургия

Фольклор

Военное дело